"It's Britney, b**ch!" -- reborn pop icon or a gay icon in waiting?
I'm strangely ambivalent about Britney Spears, her new single and her upcoming performance at the MTV Video Music Awards.
The new single, "Gimme More" begins with Britney announcing "It's Britney, b**ch!" -- and then giggling girlishly.
She then moans/sings lines like "You've got me in a strange position/if you're on a mission/you've got my permission."
Which might have been intriguing five years ago. But we've now seen her pregnant, bald, swinging at photographers, marrying backup dancers and walking barefoot through gas station bathrooms. Any mystique that once existed is gone forever and the new single seems almost like a parody of a Britney Spears song.
As I've written about before, part of Britney's incredible success was the way in which she so successfully straddled that ever-thinner line between innocent bubble gum pop princess and wanton, hardcore pop whore. The whole wet hot virgin thing was not new -- but she did it so transcendently well that even the most savvy of us had to wonder, as Chuck Klosterman did in a classic piece for Esquire -- was she the least self-aware person on the planet, or the most self-aware?
The Video Music Awards could be a triumphant return for Britney -- someone I know has a theory that she's been so successful because so many people are, deep down within themselves, pulling for her to succeed despite her own ridiculousness. The further she falls -- marrying K-Fed, having two of his children and then leaving them at home to go panty-less clubbing with Paris Hilton -- the more we want her to, like Hulk Hogan, come back from the depths and be our hero once again.
But as a fellow reporter said to me today -- this could also be just an awful embarrassment. She's been through a lot since her last album and tour -- a marriage, two children, rehab -- and those who care on more than a voyeuristic, will-she-make-a-fool-of-herself level, may be expecting the young, hot dancing machine sexpot of a half-decade ago. We may instead get the modern version of Elvis' Live from Hawaii special -- a pop icon past whose pop moment has past, well beyond the peak of their powers, begging for people to care again but clearly consigned to a sort of post-stardom that can only ever bottom out in a sort of cut-rate cult fame that will never really compare to the heady thrill of new, young fame.
Her new publicity shots do have her looking a bit like a drag queen...
Which brings me to an interesting point.
I've noticed that gay men have become the latter-day bread and butter of many a faded female pop star (Cher, Madonna, Cindy Lauper, Debbie Harry). Some of the young women who grew up with the music will always have a soft spot for these pop divas -- but for whatever reason (pop stars' flamboyance, the fact that some drag queens like to dress like them, take your pick) gay guys seem to be the retirement plan. None of these women are gay themselves -- but they've all become "gay icons."
Not a bad deal, really.
So maybe the question is -- will Britney use this upcoming performance and upcoming album to keep herself in the mainstream pop spotlight a while longer (as her idol Madonna has managed to do) -- or is she headlining the next Gay Games?
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