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Rapid Review: 30 Days of Night

Dragged a confirmed non-horror fan with me to see 30 Days of Night, the Vampires-eat-a-small-town-in-Alaska flick based on the graphic novel by Steve Niles/Ben Templesmith.

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I was interested to see how the dark, atmospheric, solidly horror genre comic would translate to the big screen. The answer: the horror translates pretty well, everything else, not so much.

The basic plot: Barrow, Alaska is America's northernmost town. As such, it endures one month of solid darkness every year. Many residents choose to leave town rather than put up with it and those who stay are a weird, motley bunch. Among them are the town sheriff, his younger brother, their grandmother, a deputy and various families. Oh, and the sheriff's estranged wife who misses her plane out and is stuck in Barrow for a month.

This year, the town's got a problem: Vampires from...yeah...that's not really very clear...have decided to descend on the town for 30 Days of Feasting while the sun can't harm them. They've decided to kill everyone in town and destroy the place because...yeah...that's not really very clear, either.

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In fact, they seem a little paranoid that humans are going to realize that they're not just mythical horror movie creatures, so messily eating an entire Alaskan town seems like not the brightest of ideas. A rag-tag group of survivors has to try to survive after the initial attack, trying to stay alive for thirty days until the sun comes up.

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Let me say this: I was more impressed by Josh Hartnett than I expected to be. He's been in some films I really liked over the last few years (The Black Dahlia, Lucky Number Slevin), but for this one he really uglied it up and got gritty. For that I applaud him.

30%20Days%20Hartnett.jpg

Also: The vampires in this flick are more or less the way I prefer them -- crazy, bloodthirsty, animal monsters who seem more beast than human. Anne Rice Vampires in silk and velvet, with chalices and aching souls, drive me nuts. The Vampires from Blade, with their various clans and secret languages, are about as far as I'm willing to go into Vampire sophistication -- and even they're pushing it. I think monsters are far scarier when they're...you know...MONSTERS.

These vamps fit that bill -- not too smart, not too sophisticated, even if they do speak some strange Romanian-esque language only other vampires can understand and occasionally rhapsodize a bit incomprehensibly about what filth humans are and how much they enjoy killing them.

But here's where it falls apart for me: I don't think it's possible to understand, from the film itself, what these vampires were after. They talk about the great achievement of hiding their existence from humans, they talk about wanting to preserve that secrecy -- and yet they slaughter an entire town and try to messily cover this up by making it look like an accident. To what end? They've clearly been living somewhere, doing something, for hundreds of years. They can't be that hungry. There's some suggestion that maybe this is the beginning of a Vampire invasion -- they're going to start at the top and work their way down Alaska, killing people off town by town. But again -- to what end? Isn't that sort of tipping their hand to the humans, as you don't have to go very far in Alaska, even at that time of year, before you're dealing with regular days and nights? Because only one, head vampire does any real talking in the film, we don't learn a whole lot about their motivation beyond liking to drink blood (and spilling more of it than they get into their gaping, fanged mouths).

But if you ignore that bit of it (and there's some ridiculous plotting hole in even great horror movies), it's a pretty gory, scary good time for people who like their vampires feral, their townspeople edible and their nerves good and jangled just before Halloween.

Anybody else see it yet? What did you think?

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Comments (4)

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Joe Scott said:

I saw 30 Days of Night at the same screening you did, and liked it a lot. David Slade (Hard Candy) is great at amping up the dread. The better parts of the movie were like a violent re-telling of "Diary of Anne Frank," only with grotesque Euro-trash vampires instead of Nazis. The monsters in this film were, as you said, monstrous, and I felt the tension that most horror movies have lacked since The Descent.

As for the vampires' motives, I am not too sure they wanted anything more than just the ability to survive. I mean they were a little too base to work torwards anything else. Humans are food for them, and by attacking a town that was totally dark for 30 days in a row, these vampires made a fairly wise decision for a change (as opposed to attacking, say Vatican City, which would be loaded with crucifixes). Maybe after all the James Bond villain type vampires in the Blade and Underworld movies, we expect our lead vampires to aspire to grand schemes of world domination.

I never read the graphic novel (couldn't get past the intentionally sloppy artwork), so maybe there was something in the book that didn't quite make the translation?

There were 10 brand new movies in the Triad last weekend, and I can already report that four of them were worth watching (Gone Baby Gone, The Assassination of Jesse James By the Coward Robert Ford, and Enter the Wild were the other three), and there are others still that I would much like to see. Why were so many potentially good movies all released in the same week? WHo knows, but as far as I'm concerned, no one has a good excuse to stay away from the theaters.

Joe Killian said:

You were at the same screening I was? Why didn't you say hello before or afterward?

I did read the original three-issue 30 Days of Night, and the plot is a little more complicated there. In the original story the vampires attack the town just because they're hungry monsters and the elder vampire (the talking one in the movie) comes in and lays the smack down on them, admonishing them that you can't do things like that because vampires have to remain secret.

They sort of melded the two together, making the elder vampire try to make it look like an accident for the same reasons, but I'm not sure that worked.
Horror movies sometimes have their own logic, though, and I still enjoyed the movie overall.

I saw "The Assassination of Jesse James by the Coward Robert Ford" last night and though it was fantastic. Rapid Review to follow.

Joe Scott said:

Well, I am probably glad they didn't delve to deep into the various 'clans' from the book. As far as vampire movies go, I am a little 'clanned' out. These horrible monsters in "30 Days: The Movie" were refreshing.

As for not saying hello, I did wave, but you looked at me rather suspiciously. Maybe you don't see to well in the dark? I was the guy who shouted, "Hey kids, could you shut up!" during the beginning after all those high schoolers snuck in. Sorry, but when you work with kids everyday day, you really find conviction in the belief they have no business messing up an R-rated movie they shouldn't even be watching in the first place.

Joe Killian said:

Ha! That was you?

I'm not sure I saw you wave -- I don't see that well, even in the light.

But I did hear you yell.

HA!

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