Art in America and in the N&R
My brother has made his living for 30 years as an artist and art critic in NYC. One of my sisters is an artist. I include that as full disclosure and a preface to this post about our coverage of the visual arts.
Last summer, Peter Plagens interviewed me via e-mail about newspaper coverage of art. I tried to be honest about our coverage, which, in an understatement, isn't among our strongest.
I had forgotten all about the interview until we received a letter from a Greensboro reader of the February issue of Art in America, which, incidentally, once employed my brother. I found the article, which was headlined: Contemporary art, uncovered: a survey of major newspapers and weekly magazines suggests that visual art is steadily losing ground in the popular press, even as its audience -- and market -- grows exponentially.
Plagens talked to art critics, academics, big-city journalists and smaller newspaper editors in the heartland. We heartland editors didn't come off so well. "Stonewalling" may be too strong a term for the editors' aggregate response, but suffice it to say that newsgathering organizations don't look good when they try to fend off the gathering of news.
Dang. I know well about the wrath of art aficionados; who knew I could have just ignored Plagens and avoided it all! He quoted me a couple times: We have what we call a visual arts columnist who writes for us about once a month.... Her columns -- and our coverage -- lean more toward features rather than criticism or reviews.... The visual arts get less coverage in the newspaper than any of the other artistic fields, with the possible exception of dance.
And later:
There are a variety of reasons we don't give art more respect. We perceive that the audience for such coverage is small. It could be a self-fulfilling prophecy -- we don't write about it because it's not that much in demand, but it's not in demand because we don't write about it.... Advertising has nothing to do with these decisions. I suppose that if a gallery said it would purchase a premium-priced ad along the bottom of a page focusing on the world of art, we would leap at the opportunity to expand our coverage. To my knowledge that hasn't happened, and theaters and symphonies aren't big newspaper advertisers, but we find the money to write about their productions regularly.... Contemporary art is often hard to understand. I dare say that, if asked, most of the readers I know would subscribe to the Tom Wolfe school of [opinions about] contemporary art. (Advertising came up because he asked me about it.)
That said, I can't say the reasons for the evolution of newspaper coverage that Plagens cites on page 5 of his article apply to us.
Anyway, back to the letter to the editor. The letter writer wasn't pleased with what I had to say in the article. She wrote: We who do care about the importance of art in our lives would like to see more coverage, including criticism, by our local newspaper of the many opportunities to experience the visual arts in Greensboro. Our paper can serve the population as a valuable resource for broadening knowledge and interests.
I have had my share of conversations with representatives of the arts community, and I know all the arguments for more coverage. We would like to include more criticism of all of the arts in the paper. (One of the first calls I received when I got this job was from a movie theater owner who insisted we hire a fulltime movie reviewer to help him attract more art films and "to promote a higher level of culture in Greensboro.") Shoot, we'd like to cover all the performing and visual arts.
We know how more publicity would help the arts community, too, which isn't flush with cash for advertising. But I've never seen the evidence that reader demand is there. And I've never totally bought the idea, voiced in the article and in my conversations with arts reps, that by not increasing coverage, we're contributing to the dumbing down of the community.
It's like everything else. As space contracts, budgets tighten and the various arts groups and shows expand, we have to make choices based on what we think is significant and we think matters to most readers. (That's why we have three people writing about college basketball and only one whose fulltime job is to write about the entire arts community. It's a false comparison, but that's the answer to a common question on this topic.) Is it fair? Probably not. But it's where we think the readers want the coverage.
Comments (4)
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John,
I do hope your readers read my whole, long Art in America piece on the state of art criticism in the popular press because you come off--or are at least SUPPOSED to come off--as one of the good guys. You're forthright and candid about the endemic problem--certainly not just Greensboro's, nor disproportionately Greensboro's--of contemporary art's not getting ink in newspapers and magazines outside the major urban art centers. The "stonewalling" editors certainly and obviously don't include you, who was almost singular in being willing to talk about art coverage. Finally, the piece isn't simply a screed about derilect newspapers; it also talks about esoteric art and artists, bad art writing and--we're living through a SECOND Bush administration, aren't we?--a not terribly sophisticated general public.
A personal note: I thought briefly of clearing quotes with you but a) I was taught at Newsweek that good journalism doesn't do that, and b) when I checked my notes, I found nothing you said to me to have been requested to be OTR. My own personal policy, by the way, is to say that anything I say is on the record, and whoever wants it is welcome to it. I've never understood protecting rumor, gossip and, sometimes, just plain sneakiness and cowardice to be conveniently "off the record."
Finally, I've been invited to give a lecture at the Weatherspoon in May. I don't know whether it's public or in-house, but whichever, if you want to yell at me, I'll see that you get a seat down front.
Cheers,
--- Peter
Posted on March 9, 2007 1:03 PM
I do not feel misrepresented in the least. I think some readers interpreted your thesis as pertaining to all arts coverage, and I tried to distinguish between that and art coverage.
My comment about not responding was a joke. I was/am embarrassed by my fellow heartland editors who didn't respond to you. Nothing was off the record and I wouldn't have expected you to run my own quotes past me. You quoted me correctly.
Your article was well done.
Posted on March 9, 2007 2:04 PM
100,000 blogs a minute, and there isn't a good one covering the arts (and art films!) in Greensboro?
Posted on March 12, 2007 12:49 PM
Oh, thanks alot, Walter. Now you're going to unleash the art films lobby on me?
Posted on March 12, 2007 5:11 PM