We presented our in-house journalism awards -- the Landmark Awards -- on Wednesday. (Yes, I'm just now getting to them.) These awards are based on a person's body of work for 2008. Tough competition in each category. Glad I wasn't a judge.
News reporting:
Judge: Alison Howard, a retired editor at the Washington Post
First place: Lorraine Ahearn
It's a gutsy thing to submit columns in the reporting category: Among beat and general assignment stories, they''re apt to look like News Lite. Not in this case. With only minor editing, each of these columns could have been recast as a news story, which is exactly what ought to be true of a local column.
If journalism isn't sacked by bloggers in the fight for its life, it will be in some measure because of Ahearn and her kind. Anybody with a keyboard and an ego can put a point of view out there. Only a reporter will make the case based on the evidence and accounting for dissenting voices. Only a reporter with a gift will compel browsers and surfers to want to read what she has to say. Ahearn researches her columns like a reporter, then writes them like a story-teller. Her work brings issues and people to life on the page, with writing that's well organized and vivid -- sometimes unforgettable -- yet still restrained. These will always be the hallmarks of the best newspapering, with or without the paper.
Second: Taft Wireback
Sometimes the best news stories find people we don't know and bring their lives and troubles to our doorsteps. Sometimes, as in this package, they hold a mirror to our own lives, affirming as well as explaining our experience -- not just for our benefit, but often for decision-makers with the power to make things better (or worse). These are the ordinary lives we spend in our homes (by a noisy highway), in our towns (as they grow weedy with recession), in traffic (adding to the problem in our cars or trying to solve it by taking the long, hard way), and on airport runways (unaware of the guy who spends his time keeping us and the geese apart).
A local paper exists, in part, to tell its readers: We know you. In that role, it often acts as a link -- an interpreter, perhaps -- between the community and its leaders. Much of Wireback's work in this package says: Here are the people you're deciding for. Two of his follow-up stories indicate that decision-makers were paying attention.
Design
Judge: Tom Peyton, visual editor at The State
First place: Penny Wofford
Penny won because of two SND quality covers: The essence of cool and Beyond the ordinary. She also had two other very strong covers: The Sounds of Summer and Goteggnog? Penny's design of these covers had no real weakness and many strengths, which included dramatic art, fine use of color and excellent typography. Penny seems to understand that the surprise is the thing. She also shows great talent in shifting from poster covers to multi-layer pages.
Second: Andrea Martin
Andrea had three excellent covers: Man's Best Friend, Rocker and Fighter. These covers are bold, fresh and inviting. All these covers demonstrate a clear understanding by the designer of what to do with great art. Andrea was a close second.
Copy editing
Judge: Andy Bechtel of the UNC J-School
First place: Rheta Whittington. Rheta’s entry shows her outstanding creativity and versatility. She deftly handles the headline writing and editing on hard news (the McClatchy littering story), opinion pieces (the Ahearn column and features (numerous examples). Rheta's work shows how journalists can balance design and content. This is exemplified in the features centerpiece on yellow: great headline combination (“the golden rule” about “mellow yellow”), attractive design and tasteful use of color. The form truly matches the content. In this era in which editors are asked to do more with less, Rheta Whittington shows that yes, it can be done.
Second: Jennifer Burton. Jennifer states an admirable goal: “to present stories in a way that makes readers want to dive in.” Her work does just that, in both design and content. With the economy story, she demonstrated that she is flexible and innovative under deadline pressure. It's clear that Jennifer values collaboration, and her work reflects that, especially on the photo pages that she worked on. She also has a sharp eye as a copy editor.
Feature writing
Judge: Aly Colon of the Poynter Institute
First Place: Nancy McLaughlin
It is in the still moments of existence that life explodes. Those moments inhabit the world between what was and what will be. They include the seen and unseen, the spoken and unspoken. Nancy McLaughlin explores such moments. She yanks them out of hiding and unfurls them before her readers.
McLaughlin’s stories explore those moments where facts and faith intersect. She pulls back the veil that separates them; fleshing out lives, capturing catalytic events. In “Her ‘peace with god,’ “story, McLaughlin provides a riveting description of a car accident and its aftermath. It places readers at the scene and in the mind of Tina Byrd. “Byrd was caught in the crush of metal, the impact severing her legs and tossing her upper body on the side of the road some 15 feet away,” she wrote, vividly describing a horrific scene. And then she relates what went through Byrd’s mind with this poignant quote: “I made peace with God as I was in the air.”
In her collection of stories, McLaughlin manages to expose readers to how those who live relate to those about to die (“journey to forgiveness” and “Remembering a master at spreading love”), shows how a church lives out the meaning of charity (“Faith in Bad Times”) and uncovers how Bruce Springsteen helps a pastor preach.
Throughout her stories, McLaughlin offers a thorough, balanced perspective, writes cleanly and clearly and renders vivid scenes of life. Ultimately, she grapples with the physical, the metaphysical and the mystical landscape that shapes the lives believers and unbelievers alike.
Second: Jeri Rowe
Jeri Rowe’s writing draws the reader in gently and intriguingly. Like a knowledgeable guide, he leads you down the story’s path, pointing out clues and framing the landscape. He deftly organizes the world the reader will inhabit, rendering the present and then unfolding a past that supports it.
Sometimes he lures you in with a lead that lets you “hear” the words as he did in “The Citizen Teacher.” The lead penetrates your reading ear: “They call him teacher, as in TEECH-er.” This story also serves as an introduction to multiple themes, including citizenship, dedication and friendship. Rowe weaves these themes through “The Citizen Teacher” and builds on them in another follow-up piece "Cramming: Montagnards hit the books to become citizens.” Culture, history and assimilation make this old American story new again.
The key to Rowe’s successful storytelling involves his focus on people and his ability to immerse them into their worlds. Whether it is a “Lost Boy” going home, or “The face of Green Valley Park,” or “The Goat Lady,” Rowe reels you into what appears on the service to be ordinary lives lived in their own extraordinary way. For readers of the News & Record, they become the people of the paper.
The Schlosser Award, named after retired reporter Jim Schlosser
The award recognizes a person who "has displayed, day in and day out, an intense curiosity, a depth of understanding, and an enterprising drive to discover unique and significant stories."
This year's winner is Mark Binker.
Comments from his editor, Eddie Wooten:
Day-in and day-out for Mark Binker means seven days and means long hours each day. If a story needs to be pursued, quite simply, he gets after it. His work ethic is a model for all. His intense curiosity plays out as he hooks up with sources; tracks down our legislators, congressmen and senators; monitors blogs, Twitter feeds and Facebook; and generally turns over rocks looking for ways state government affects us here in Greensboro.
All of that, and his experience reporting in High Point and about city and county government in Greensboro for this company, lead Mark to a deep understanding of what our readers need to know and being able to report the story then write it in ways readers understand.
Comments from city editor Teresa Prout:
The thing about Mark Binker is that he gets it. He gets what matters to the people of Guilford County. He gets that we write for our readers and not for contests or for so-called insiders. He gets that we have a mission as journalists but that we don’t stand a snowball’s chance of fulfilling if nobody's reading us.
A presidential candidate in town? He’ll write the hell out of it. A local woman elected to the Senate? He’ll write the hell out of that too. He’ll give you good, readable stories about such dense subject matter as the stimulus package and the state’s mental health policy. He blogs, he tweets.
He takes an impressive knowledge of what’s going on in the legislature, slices it and dices it and turns it into a story of interest and import to our community. And he does it all so well that he makes it look easy.